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With Mick Taylor, the Rolling Stones were rockers. With Brian Jones, the Rolling Stones were artists. Fans and historians divide the Stones career into three distinct eras based on the service of their three lead guitarists: 1962-68 as the Brian Jones years, 1969-74 as the Mick Taylor years, and 1975 to the present day as the Ron Wood years. īill Wyman anchored The Stones for thirty years, spanning 1962 to December 1992. On my last trip to London in 2019, I made the pilgrimage to the site where Bill became a Stone. As Keef documented in Life – they became the Rolling Stones when the former RAF (rank unknown) William Perks joined the band. When I heard my friends’ older brothers’ thick vinyl London pressings from the 1960s, mostly in mono, Bill’s artistry shone. Boom boxes and car radios were not much better. Plus, we were buying 8-track and cassettes which were aurally dreadful.
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Record pressings were thin (oil crisis anyone?) with poor resonance, and decent stereo equipment was out of my economic reach. It was not easy to decipher Wyman’s work on their 70s releases. I discovered where Bill came from: the Willie Dixon of bass. It took years for me to fully appreciate his playing. Now I understood why they were the “greatest.”Īs a bass player, of course I fixated on Bill Wyman. But the Stones and their aforementioned peers were within striking distance – or so it seemed. No artist can approach The Beatles (and George Martin and their incredible team of engineers) as recording artists, songwriters, and conceptualists. Show, Dean Martin Show television appearances and Gimmie Shelter film via clunky VHS tapes, I quickly came to the realization that I too would have favored the Stones (and The Yardbirds, The Animals, Cream, and Jimi) over the Fab Four solely on the raw musicianship and attitude. Later on, as I befriended older musicians who were Stoned from the beginning, I learned of the deep cultural importance that the band had on a generation of players. However their 1960s canon, to my motely was ancient history, and of little interest. Key tracks from Sticky Fingers, Exile On Main Street, Let It Bleed, and Beggars Banquet were FM radio staples throughout the decade– and shaped my generation’s vision of the band. By way of their new stuff, I was inspired to rummage through their past darkly and catch up on their hallowed history. The Rolling Stones on automatic pilot were still tops in the general sense. Product such as GHS, Only Rock and Roll, and Black & Blue complimented the Bowie, Sir Elton, Roxy, Mott the Hoople, Led Zeppelin, and Bruce & E Street records which my generation spun incessantly. Those new kids on the block – Bruce, Patti, The Ramones, Joe Strummer and The Clash – all looked up to the Rolling Stones whether it was fashionable to admit it or not. Heck, the Stones invented the template of a rock and roll band. They had the songs, the chops (especially with Mick Taylor), the swagger, and the requisite panache. Perhaps the Stones weren’t as “relevant” as they were in earlier times: yet they could not be relegated to the canvas, albeit as they were Sucking in the 70s amid Van Halen, Fleetwood Mac, Queen, Pink Floyd…īruised and battered, they were still the greatest “rock and roll band” in the world.
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Stones Alone: If the goal is to hold the title you have to knock out the champ.
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navigated the hard rockers and metal bands with ease – all of which were competing for young hearts and minds and ducats. singer-songwriter zeitgeist, the disco onslaught, the blue collar Springsteen outbreak, the Johnny Rotten punks and new wave raconteurs. The Stones played tough during the Joni / James / CSN & Sometimes Y/ Jackson et al. Massive stars in the United States, their concert treks were instant sell-outs in my homeland. They’ll be the real Rolling Stones when they get Bill back.” Bob Dylan as told to NME 2009īorn in 1960, I was too young to catch the Rolling Stones the first time around (and around) in 1964 during what we Yanks refer to as “The British Invasion.” ‘Twas not until the Edward Heath / “Tricky Dick” Nixon year of 1973 when I grabbed a fresh, newly released Goats Head Soup at Sam Goody, in Long Island, New York for $3.98 (on sale) that I became a lifelong fan.īy then, to older followers, the Stones were past their peak. “I’m not saying they don’t keep going, but they need Bill. The former William Perks followed by Ronald David Wood, Keith Richards, and Darryl Jones.